Pop Filters Vs. Windscreens: Which Should You Use? Thursday November 18 2021, 11:04 PM
Yona Marie
Singer, Songwriter, Producer.
Pop Filters Vs. Windscreens: Which Should You Use?

Reducing Unwanted Noise


Both windscreens and pop filters are designed to stop a mic from picking up unwanted background noise, particularly noise from air pressure. Mics pick up mouth noises, also known as plosives, that come from consonants we pronounce like hard t's and p's.

Both tools can be used successfully to hide these noises and help the quality of your live or studio recordings. It’s important to try to get rid of these mouth noises as best as possible when singing or speaking into your mic (Unless you're into ASMR mouth sounds). 

Related Post: How Pop Filters Help Your Recording Process

Pop Filters


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Pop filters are designed to lessen noises from pops, wind, and clicks that come from our voices in studio settings. They are most commonly made with foam and/or nylon mesh material and placed in front of a mic to filter out plosives. There are also metal pop filters that are sometimes preferred for more durability and visual transparency.

Pop filters are not used for live performance settings, so there is no need to buy one if your focus will not be on recordings. While pop filters do great for lessening the sound of plosives, they are not designed to block out background noise in general, especially if you're using an omnidirectional mic.

If you need to reduce background noise, consider soundproofing tools like window seal strips, noise-reducing curtains, and door stoppers that can help with noise coming from outside and other places in the house. Also, be sure that your mic isn't picking up your AC/Heat and fans, which can be a huge source of background noise. 


Windscreens


Windscreens can be used in studio performance settings, but they are designed for live performances where air pressure from weather and unwanted background noises can be filtered out from the mic. Windscreens work best for outside setups where literal wind can easily be picked up by a microphone and negatively affect the sound of a performance. They are made from a foam material and also protect the mic from dust, dirt, and other tiny elements that could get into the mic. 

You may or may not have noticed this when hearing someone perform live using a windscreen: they also dampen the higher frequencies of your vocals, which can give your performance a warm, or muffled sound. This is one reason to not use windscreens in the studio, especially as a female vocalist

It's important to also note that while windscreens do help with unwanted plosives, pop screens are a better fit for that particular use. Clicks and pops from consonants, spit, and your tongue that have nothing to do with air pressure or wind will still come clearly through a mic with a windscreen. While pop filters don't completely stop these noises, they simply do a better job at trying.

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Using Windscreens And Pop Filters Together  


Now that you have a good idea of what both can do for you, you may be asking yourself if you could use both at the same time in a recording studio setting. Many will say that this is overkill, but it's really up to your mic and your sound preference. I've heard many singers say they use both due to having a very sensitive mic. I do get very annoyed with mouth noises on my takes that I have to redo, but as a female singer, I cannot afford to dampen the sound of my higher vocal frequencies, so I don't use both. For podcasts or streaming, the warmth would be more welcomed. 

If you're like me and need more help with plosives, try speaking a little bit further from the mic to lessen the presence of those unwanted sounds. Another tip is to smile while singing or speaking to avoid pops in your "b" and "p" consonants. And my last tip that's a bit left-field but it works: eat apples to get rid of mouth clicks! The acidic properties really help with those overly dry over overly wet mouth noises that mics pick up.

Related Post: Best Vocal Amps For Live Performances



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Yona Marie

As a session singer, writer, and producer that has worked with over 200 clients to provide high-quality jingles, singles, features, nursery rhymes, and DJ drops, she currently spends her time engulfed in creating and marketing new music and helpful resources for creators. Her most recent creative collaborations include work with PBS Sound Field, Tribe of Noise, and the National Black Chamber of Commerce. Check out Yona’s latest music releases on her Spotify, her Youtube and share the music if you like it!

If you are ever in need of singer, songwriter or song producer services for your music project or brand, see what Yona Marie can offer you on her song services page. As an Amazon Associate, Yona Marie earns from qualifying purchases. Amazon and other affiliate products are recommended to genuinely help readers and keep this site up and running as well.



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